The final idea for our music video to "Skeleton Song" by Kate Nash conveys the relationship our artist has with a prop skeleton who she believes to be her friend. The story line of the video follows very closely to the lyrics of the song which helped us to form a narrative that the audience will be able to follow.
A wide shot of a street is our establishing shot and our artist is walking home whilst the camera pans to follow her. A point of view shot shows her walking up the drive to her house and into her house. She climbs into the attic and begins looking in boxes. The camera shows a P.O.V shot staring at the girl suggesting she isn't alone. The girl finds a box that she opens, the camera is placed in the box and we use the camera to act as the point of view of the skeleton as the girl reaches in to pull something out of the box.
An extreme close up displays the girls lips singing the song and then the skeletons mouth does the same. It then shows them sitting on a wall as though the skeleton toy is actually alive and is her friend before the skeleton falls off the wall and the artist puts a plaster on his bones showing that she cares for his well being. More shots of the skeleton and the girl are shown as they are relaxing on the grass which is then followed by a change of scene where the girl is crying on her bed ripping up photos of her ex boyfriend with the skeleton comforting her.
During the chorus, a trick or treating scene is shown. The girl and the skeleton walk up to a house but instead of staying to get sweets, they knock the house and the skeleton runs away and hides leaving the girl standing in an awkward position where she attempts to run but the owner of the house calls out to her angrily. A quick cut to the singer in the white room is shown as she sings but this time she is holding the box that the skeleton was originally in.
For the next short verse, the skeleton and the girl are dancing in the white room while she sings which then cuts to them in her room trying on clothes which the girl finds amusing as he is a skeleton who has no need for clothes. During a music break, the girl is back in the white room but a close up of her playing the piano (showing off her musical talent). Next the camera shows the girl spinning round in a circle where the camera is the P.O.V of the skeleton and then this flips so the skeleton is shown and the camera is the girl. The next scene shows them at a birthday party and the skeleton blows a party streamer celebrating the artists birthday with her.
For the next chorus the main focus is on the singer performing. She is seen singing and writing the lyrics on her bed with the camera at a low angle looking up at her. Shots of her and the skeleton singing and dancing in the white room are shown but this time pictures of them are on the wall and the camera cuts to several of them to show the audience. The camera cuts to the artist holding the box and climbing up the ladder to the attic implying that she was putting the skeleton back into the attic although this raises questions as to why she is doing this when they seem to be enjoying each others company.
The music dramatically changes and becomes much more slower and darker. Stop motion with the camera at a high angle, shows the girl in bed, rolling around as though she is having a bad dream. She then gets up, finds a hammer and walks to where the skeleton is (who is turned in the opposite direction to her) where she then proceeds to rise the hammer and it is implied that she smashes the skeleton with it. The singer is then shown in a darkened room with an unknown light source distorting the shadows on her face making her look almost evil.
During the music break, the girl is back in the the white room but is tearing down the photos in a rage. Then when everything slows back down, the girl is shown sitting on the floor surrounded by the crumpled photos crying while she sings the lyrics of the song. She grabs an almost intact photo and holds it up. An over the shoulder shot displays that the photo is of a boy and as she lowers the picture, the focus shifts to the skeleton that is suddenly sitting against the wall. She stands up, picks him up then walks off camera.
The next scene is similar to the trick or treating scene but the skeleton is replaced with a person in a skeleton costume. After the girl gets in trouble for ringing the bell and walking off, a close up of the person in the costume shows him taking off the mask, revealing that he's the boy in the photograph from the previous scene. Several shots that were shown previously are now repeated but the skeleton has been replaced with the boy, suggesting that the singer wasn't talking about a skeleton but was using it as a metaphor for the boy. A final close up of the girl shows her singing the last line but then during the outro, the doorbell is heard and a P.O.V shows the girl walking towards the door. When she opens it the boy from the photo is stood on her doorstep holding a skeleton costume and a trick or treat bag.
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